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The Man Of Steel Online Originaltitel: Man of Steel VideoMan of Steel Official Trailer #2 (2013) - Superman Movie HD
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Ok got it! Your password has been successfully updated Ok got it! Enter Existing Password. Producer Christopher Nolan pitched Goyer's idea after story discussion on The Dark Knight Rises , and Snyder was hired as the film's director in October Principal photography began in August in West Chicago, Illinois , before moving to Vancouver and Plano, Illinois.
Man of Steel was released in theaters on June 14, , in 2D, 3D and IMAX. The film received mixed reviews, critics praised the film's visuals and Hans Zimmer 's score but criticized its pacing and lack of character development.
A follow-up entitled Batman v Superman: Dawn of Justice was released on March 25, The planet Krypton is destabilized from mining of the planetary core.
Jor-El , chief advisor to Krypton's supreme council, recommends that the council give him control of the genetics codex. Before any action can be taken, soldiers led by General Zod , an old friend of Jor-El's, launch an uprising and arrest the councilors.
Realizing that Krypton is doomed, Jor-El steals the genetic codex sought by Zod and infuses them into the DNA of his infant son, Kal-El , the first naturally born Kryptonian child in centuries.
Zod kills Jor-El, who sacrifices himself to allow his son to escape on a preprogrammed spacecraft after his wife Lara-El launches it.
The council quashes Zod's rebellion, and the rebels are sentenced to exile in the Phantom Zone after being convicted of treason. Krypton explodes soon after.
Following Jor-El's coordinates, the ship crash lands on Earth in Kansas. A childless couple, Jonathan and Martha Kent , find Kal-El and raise him as their own, naming him Clark.
Clark eventually becomes an isolated young man as a result of developing superhuman powers which he tries to hide from others.
He learns his true origins from Jonathan, who urges him to keep his powers hidden. Several years later, Jonathan dies in a tornado while refusing to let Clark rescue him, as that might reveal Clark to the world before he's ready.
Burdened with guilt and looking for a new purpose in his life, Clark leaves to travel the world for several years under various aliases.
Daily Planet reporter Lois Lane receives an assignment to investigate the discovery of a Kryptonian scout ship in the Canadian Arctic.
Having gained work at the discovery site, Clark enters the ship and activates its central computer using a key left by Jor-El, which allows him to communicate with an artificial intelligence modeled after his father.
The AI explains that Clark was sent to Earth to guide its people, and presents him with a Kryptonian uniform bearing his family's symbol.
While following Clark, Lois inadvertently triggers the ship's security system. Clark uses his powers to rescue Lois before wearing the uniform and testing his flying abilities.
Unable to convince supervisor Perry White to publish an article on the incident, Lois tracks down Clark back to his family home in Kansas, intent on finding the truth.
She tries to persuade Clark to let her reveal his story, but decides to drop it after hearing of Jonathan Kent's sacrifice, and keeps Clark's identity safe.
Escaping the Phantom Zone, Zod and his crew intercept a transmission from the scout vessel and travel to Earth. Deducing that Kal-El is nearby, they broadcast a global address demanding that he surrender or risk war.
Without revealing his identity and wearing the Kryptonian uniform, Clark meets with the United States Air Force and agrees to comply, with Lois joining him as a hostage.
Zod reveals that he possesses several terraforming devices, the largest called a World Engine, which he salvaged from Kryptonian outposts, which he intends to use to transform Earth into a new Krypton.
His science officer, Jax-Ur , extracts information from Clark's genes to create Kryptonian colonists who will annihilate humanity and build a society based on Zod's ideals of genetic purity.
Using the Jor-El AI to take over the ship, Clark and Lois flee and warn the U. Zod deploys the World Engine from the Kryptonian ship, which touches down in the Indian Ocean and begins firing a beam through the planet towards the ship, severely damaging the city of Metropolis , and initiating the terraforming strategy.
Clark destroys the World Engine while the military launches a suicide attack, sending Zod's troops back to the Phantom Zone.
With the ship destroyed and Krypton's only hope of revival gone, Zod vows to destroy the Earth and its inhabitants out of revenge.
The two Kryptonians engage in a lengthy battle across Metropolis, which concludes when Clark is forced to kill Zod as he attacks a cornered family in a train station.
Clark adopts a separate public identity with the military codename "Superman" and persuades the government to let him act independently, so long as he does not turn against humanity.
To allow access to dangerous situations without attracting attention, he covertly maintains his civilian identity and takes a job as a freelance reporter for the Daily Planet.
Additionally, Harry Lennix plays Lieutenant General Calvin Swanwick, a United States Army general officer and the deputy commander of United States Northern Command.
Carrie Ferris, a United States Air Force officer and the assistant to General Swanwick. Emil Hamilton , a scientist who works with the United States Armed Forces for DARPA.
In June , Warner Bros. Just treat Superman Returns as the Ang Lee Hulk ," Morrison said. In August , Warner Bros.
Studio executive Jeff Robinov planned to have the film released either by or , explaining " Superman Returns didn't quite work as a film in the way that we wanted it to.
It didn't position the character the way he needed to be positioned. Had Superman worked in , we would have had a movie for Christmas of this year or Now the plan is just to reintroduce Superman without regard to a Batman and Superman movie at all.
He elaborated, "Everyone is waiting for Nolan to sign on for another Batman, once that happens, the release date for Superman and all other future projects will follow.
However, if they did not begin production on a Superman film by , then the Siegel estate would have been able to sue for lost revenue on an unproduced film.
The plot of Man of Steel employs a nonlinear narrative , and tells parts of the story in flashback. During story discussions for The Dark Knight Rises in , David S.
Goyer told Christopher Nolan his idea regarding how to present Superman in a modern context. I only know the way that has worked for us that's what I know how to do," emphasizing the idea that Batman exists in a world where he is the only superhero and a similar approach to the Man of Steel would assure the integrity needed for the film.
They have nothing to do with each other. Jeff Robinov, president of Warner Bros. Pictures Group, spoke to Entertainment Weekly , and allowed a peek over the wall of secrecy surrounding their DC Comics plans: "It's setting the tone for what the movies are going to be like going forward.
In that, it's definitely a first step. When Zod destroys a satellite, the words "Wayne Enterprises" are scrolled on the satellite.
The film's storyboard was created by Filipino-American storyboard artist Jay Oliva , in his first live-action feature film project, along with Snyder.
During the film's brainstorming, Oliva pitched the idea as, "I could come up with something I've never seen in live-action American cinema and only in anime".
Principal photography began on August 1, , at an industrial park near DuPage Airport under the codename "Autumn Frost".
Man of Steel filmed in the Chicago area, California and Burnaby 's Mammoth Studios, which was transformed into Superman's home planet of Krypton and myriad extraterrestrial aircraft.
Metro lands on Vancouver's North Shore waterfront hosted the shoot for the dramatic oil rig rescue that introduces audiences to Superman.
Ucluelet and Nanaimo , British Columbia , feature prominently in the film's first hour—the trademark winter mist and rough seas are passed off as Alaska in the film.
Filming took place in the Chicago Loop from September 7 to Man of Steel features a redesigned Superman costume by James Acheson and Michael Wilkinson.
The costume preserves the color scheme and "S" logo, but adopts darker tones, and notably does not feature the red trunks usually worn by Superman.
Zack Snyder said the costume is "a modern aesthetic". He and the producers attempted to devise a suit featuring the red trunks, but could not design one that fit into the tone of the film, leading to their removal from the suit.
A lot of the efforts we took in the film were to explain why the suit looks the way it does. We didn't want it to be a random, ornamental decision.
We start the film on the planet of Krypton, which is where the suit comes from, and we go to great pains to show the suit fitting into the culture.
All of the people you see on Krypton are wearing this chainmail-like suit, with the same detailing as the Superman suit. Everyone has their family crests on their chests.
The cuff and the boot details are shared through all of the different characters we meet on Krypton.
So by the time we see Superman in his suit we understand why it looks the way it looks. John "DJ" Desjardin served as the visual supervisor for Man of Steel , with Weta Digital , MPC and Double Negative providing the visual effects for the film.
A lot of the rules are the Battlestar Galactica rules for the space cams that Gary Hurtzel [ sic ] developed for that miniseries , where we want to make sure if we're translating the camera at all it makes sense.
Unless the action is so over the top, like in the end where Superman is beating up Zod—we had to break it a bit.
For the first act of the film taking place on the planet Krypton, Weta Digital placed alien-like planet environments, creatures and the principal means of display—a technology the filmmakers called "liquid geometry".
Weta Digital visual effects supervisor Dan Lemmon explained that, "It's a bunch of silver beads that are suspended through a magnetic field, and the machine is able to control that magnetic field so that the collection of beads behave almost like three-dimensional pixels , and they can create a surface that floats in the air and describes whatever the thing is you're supposed to be seeing.
In the modeling and animation aspect of the liquid geometry, Goodwin explained, "We had to develop a pipeline to bring in assets, so instead of going through the route of reducing the polygon count to something usable what we would then do—you would take the model in whatever way it was made and just scatter discrete points onto it, and extract the matrix onto the animation and copy these points onto the matrix and have these sparse points behaving in a way that the model would.
Sims were then run "on all the targets which would be discrete beads floating around on top of the surface which would have its own set of parameters," said Goodwin.
That was then saved to disk and we would use that sim as the final target for the simulation. Lighting solutions directly worked on the set.
Weta utilized RenderMan to take advantage of improved ray tracing and instancing objects. The sequences where Superman utilizes close-combat fight scenes with the other Kryptonians proved to be a major challenge for the filmmakers and the visual effects crew.
Because that's us animating the characters to the camera. So we would do that animation with the characters—grappling, punching or flying away—and we would take the real guys up until the point until they were supposed to do that and we'd cut.
Then we'd put an environment camera there and take the environment. And then a camera for reference of the actors and get each moment. So then we had a set of high-res stills for the environment and the characters.
Then, in post, we take the digi-doubles and animate them according to the speeds we want them to move in our digital environment.
MPC handled the visual effects for the "Smallville encounter" sequence. Before providing the visual effects, the shots were previsualized for the fight choreography.
After the previsualizations, live action portions of the scene would be filmed in small pieces. A camera rig would then obtain key frames of the choreographed actor.
On set, a camera rig was used to capture the environment of the sequence. Dubbed "enviro-cam", the visual effects crew would mount a Canon EOS 5D and a motorized nodal head, allowing the crew to capture the environment at a degree angle with 55K resolution for every shot, the process would take approximately two to four minutes.
The set capture resulted in lighting and textures that could be reprojected onto geometry. Digital armor was also added, along with the energy-based Kryptonian helmets.
Cyberscan and FACS were conducted with the actors, and polarized and non-polarized reference photos were taken. Superman's cape and costume were scanned in high detail—the cape in particular became a direct extensions of Superman's actions.
For the sequences involving the terraforming of the city Metropolis, Double Negative handled the visual effects for the sequence.
In order to construct a Metropolis that seemed convincing and realistic, Double Negative utilized Esri 's CityEngine to help procedurally deliver the city.
The work we were doing was based around the Downtowns for New York, L. We'd skin those volumes with kit parts, but most of it then had to fall down!
So we had to rig it for destruction and use it for other aspects of the work as well. For the destruction of the buildings, the studio rewrote its own asset system to focus towards its dynamic events.
The Bullet physics software was a heavily impacted component for the utilization of the destruction. The studio transitioned between the existing proprietary volume rendering software to rendering in Mantra for elements such as fireball sims.
Double Negative also used the in-house fluids tool "Squirt" to handle larger-scale sims and interaction for more tightly coupled volumes and particles.
Regarding the battle between Superman and Zod, Double Negative implemented real photography onto its digital doubles. Hans Zimmer initially denied popular rumors that he would be composing the film's score.
Many reviewers interpreted Man of Steel as a religious allegory , especially since Warner Bros. Originally reluctant to reveal his identity and powers to the world, Supes decides to turn himself over to Zod to save humanity from annihilation.
Before Jor-El sends his son off to Earth baby Moses-style, he tells his wife that, like Jesus, 'He'll be a god to them.
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